影片讲述的是一个在不知自己在追求什么的环境下成长出来的男孩的一端经历。他上大学，占小便宜，甚至偷东西，均是一种在不清楚自己真正想得到什么的生活下会做出的行为。他跟踪一个女孩，甚至不清楚到底想和姑娘产生一种什么关系。盲目的做事，让自己铤而走险，就像除了领头羊以外的其他山羊一样。他徘徊在道德线的边缘，就像无数大学生对盲目未来的尾行一样，走在这卡不到尽头的枕木上。没有目标的过活，只会将自己带入下一个旋涡继续随波逐流。男主人公看似有目的的跟踪，实际上却是空洞也冲动的情感驱使而已，最终，他将自己引到了无法弥补的地步。毕竟“没有经过思考的行动只会导致糟糕的结果”.整个短片的基调相对紧凑，渴望从剪辑和动作来塑造心理情感，剧情并不是为了抖包袱而抖包袱，在克里斯蒂夫•诺兰导演的作品的《追随》中有这样一句话：“20多岁整天无所事事的年轻人，都幻想自己是作家”，这句话对我创作这部片子有很多的启发。

This film is about the experience of a boy who grows up in the environment where he never knows his pursuit of life. His attending college, becoming a freeloader, and even stealing can all be ascribed to his unawareness of the pursuit of life. He tails after a girl, but he does not even know what kind of relationship he wants to keep with her. His blindness makes him rush into danger, like a goat blindly following the lead goat. He lingers on the edge of morality, just like many college students blindly tailing the unknown future, and walks along the endless rail. Living without a goal, he will only bring himself into the next swirl of life, and continue to drift with the tide. The seemingly purposive tracking of the boy is actually driven by his blank and impulsive affection, and finally, he leads himself to the irreparable state. After all, "action without thought will only lead to terrible results ". The whole film is relatively tight in tone. It shapes the psychological feeling through clipping and action, and the punch line of the story is very natural, without any affectation. There is a line in Following by Director Christopher Nolan going:" A young man more than 20 years old who has nothing to do all day dreams of being a writer". This line inspired me a lot in creating the film.