基本上，这是在一个数字化的现代时代的自我认同。通过这个角色，它讲述了在日常生活中失去平衡，将现实与网络空间混淆的故事。现在两者是不可分割的。例如，在日常生活中，人们对数字媒体的依赖程度很高。具体来说，社交媒体是一个上传照片和文字，分享生活方式的平台。通过这样做，人类倾向于将自己与数字人物联系起来。从数字极权主义的角度，记录和收集数字平台的轨迹。它还与分析人类的行为和生活模式甚至思想联系在一起。实际上，政府或政府组织已经用于特定目的，如大数据、人脸识别、定位检测和大规模监控。在不知不觉中，这些无声的不平衡和对人类隐私的侵犯，可能有助于塑造自我认同。故意的，可以任意编造，也可以由他人编造。一般来说，每一个序列都是在社交媒体上以数字语言和图形的形式呈现出图像和照片。最后，电影希望人类从数字极权主义和现实生活与虚拟现实之间的不平衡中走出来。

Basically, it is told self-identity in a digitalised modern era. Through the character, it tells about a lost of balance between everyday life and confuse reality with cyber space. The both are inseparable in the present. For example, in every daily life, human has a high level of dependence on digital media. Specifically, the social media is a platform to upload photos and words and share the lifestyles. By so doing, human tends to identify oneself with the digital character. In terms of digital totalitarianism, trace in digital platforms is recorded and collected. Also it links to analysis of behavior and life pattern of human even thoughts. Actually, government or governmental organisations have used to specific purposes such as big data, face recognition, location detection and mass surveillance.Unconsciously, these silent imbalance and invasion to privacy of human could contribute to shape the self-identity. Intentionally, it can be fabricated arbitrarily or by others. Generally, each sequence shows like an image and photography on social media with digital language and graphic. In the end, the film hopes human being come out from digital totalitarianism and imbalance between the real life and virtual reality.